ed. by Weekley & Arganbright
Schubert
was especially sensitive to the duet medium and wrote short delicate and
Iyrical compositions as well as grand and intense major works. The brevity
of these dances indicates that Schubert intended them for the ballroom rather
than for concert performance. Weekley & Arganbright have added fingerings,
a few interpretive marks (in parentheses), and changed the format to score
form. Otherwise they are as printed in the Witzendorf edition circa 1860.| WP97 | (Int.) | $2.95 |
See References and Texts
by Weekley & Arganbright
These
five catchy melodies are superbly arranged for one or two pianos, four hands.
They are engraved in score form with Primo above Secondo for ease in rehearsing.
The Secondo parts are set in 5-finger positions — perfect for first
year students. The slightly more difficult Primo part uses chords in root
position and inversions. Stretches are limited to the interval of a sixth.
An ideal choice for recitals!| WP345 | (E. Int.) | $3.95 |
Poulenc / ed. by Weekley & Arganbright
Written
in three short movements: Prelude, Rustique, and Final, French
pianist and composer Francis Poulenc (1899 – 1963) first published
this sparkling Sonata in 1919. A glossary of French terms is included.| WP566 | (L. Int.) | $4.45 |
by Winifred Hyson
Four traditional Spanish dances
have been arranger by the composer for one piano, four hands. From the Flamenco
style, these colorful dances in the triple meter reflect the influences
of several cultures and are distinctivelyrhythmic. This composition was
winner of the National League of American Pen Women's Year 2000 Biennial
Composition Competiton in the piano duet category.| WP570 | (L. Int.) | $4.45 |
Beach / arr. by Weekley & Arganbright
For
fans of piano duets and / or Amy Beach (1867 – 1944) — there’s
a renaissance of interest in her music — these six pieces in contrasting
moods will be the right choice!| WP364 | (Int.) | $5.45 |